
Sunday, September 14, 2008
Vincent Gallo has respect for women...for a misogynist prick anyway

Thursday, July 17, 2008
An IndieSeen Favorite Gets Arrested

Tuesday, July 15, 2008
Do You Love New York?

New Rules For Shooting Films in NYC

Wednesday, January 30, 2008

Tuesday, January 29, 2008
Tuesday Newsday

Monday, January 28, 2008
Happy Hangover Day

Sunday, January 27, 2008
2008 Sundance Award Winners
The 2008 Sundance Film Festival Awards Winners:
The Grand Jury Prize: Documentary was presented to TROUBLE THE WATER, directed by Tia Lessin and Carl Deal. An aspiring rap artist and her streetwise husband, armed with a video camera, show what survival means when they are trapped in New Orleans by deadly floodwaters, and seize a chance for a new beginning.
The Grand Jury Prize: Dramatic was presented to FROZEN RIVER, directed by Courtney Hunt, about a desperate trailer mom and a Mohawk Indian girl who team up to smuggle illegal immigrants into the United States from Canada.
The World Cinema Jury Prize: Documentary was presented to MAN ON WIRE/United Kingdom, directed by James Marsh. The film chronicles French artist Philippe Petit's daring dance on a wire suspended between New York's Twin Towers and his subsequent arrest for what would become known as “the artistic crime of the century.”
The World Cinema Jury Prize: Dramatic was presented to KING OF PING PONG (PING PONGKINGEN)/ Sweden, directed by Jens Jonsson. An ostracized and bullied teenager who excels only in ping pong descends into an acrimonious struggle with his younger, more popular brother when the truth about their family history and their father surfaces over the course of their spring break.
The Audience Awards are presented to both a dramatic and documentary film in four Competition categories as voted by Sundance Film Festival audiences. The 2008 Sundance Film Festival Audience Awards are presented by Volkswagen of America, Inc.
The Audience Award: Documentary was presented to FIELDS OF FUEL, directed by Josh Tickell. A look at America's addiction to oil, Tickell is a man with a plan and a Veggie Van, who is taking on big oil, big government, and big soy to find solutions in places few people have looked.
The Audience Award: Dramatic was presented to THE WACKNESS, directed by Jonathan Levine. During a sweltering New York summer, a troubled teenage drug dealer trades pot for therapy sessions with a drug-addled psychiatrist, and in the process falls for the doctor's daughter.
The World Cinema Audience Award: Documentary was presented to MAN ON WIRE/United Kingdom, directed by James Marsh. The film chronicles French artist Philippe Petit's daring dance on a wire suspended between New York's Twin Towers and subsequent arrest for what would become known as “the artistic crime of the century.”
The World Cinema Audience Award: Dramatic was presented to CAPTAIN ABU RAED/Jordan, by director Amin Matalqa. The first feature film to come out of Jordan in 50 years, CAPTAIN ABU RAED tells the story of an aging airport janitor who is mistaken for an airline pilot by a group of poor neighborhood children and whose fantastical stories offer hope for a sad, sometimes unchangeable, reality.
The Directing Awards recognize excellence in directing for dramatic and documentary features.
The Directing Award: Documentary was presented to Nanette Burstein for her film AMERICAN TEEN, an irreverent cinema vérité which chronicles four seniors at an Indiana high school and yields a surprising snapshot of Midwestern life.
The Directing Award: Dramatic was presented to Lance Hammer for BALLAST, a riveting, lyrical portrait of an emotionally frayed family whose lives are torn asunder by a tragic act in a small Mississippi Delta town.
The World Cinema Directing Award: Documentary was presented to Nino Kirtadze, director of DURAKOVO: VILLAGE OF FOOLS (DURAKOVO: LE VILLAGE DES FOUS)/ France. The film portrays life in a castle outside Moscow, where Mikhail Morozov rules autonomously over young initiates, laying the groundwork for a rapidly growing right-wing movement.
The World Cinema Directing Award: Dramatic was presented to Anna Melikyan for MERMAID (RUSALKA)/ Russia. The fanciful tale of an introverted little girl who grows up believing she has the power to make wishes come true. She must reconcile this belief with reality when, as a young woman, she journeys to Moscow and grapples with love, modernity and materialism.
The Waldo Salt Screenwriting Award for outstanding achievement in writing was presented to Alex Rivera and David Riker for their screenplay for SLEEP DEALER. Set in a near-future, militarized world marked by closed borders, virtual labor and a global digital network that joins minds and experiences, three strangers risk their lives to connect with each other and break the barriers of technology.
The World Cinema Screenwriting Award was presented to Samuel Benchetrit for his screenplay of I ALWAYS WANTED TO BE A GANGSTER (J'AI TOUJOURS RÊVÉ D'ÊTRE UN GANGSTER)/ France. Told in four vignettes, this existential comedy relates the exploits of four aspiring criminals who hope to improve their lot, but find that they might not have what it takes for a life of crime.
The Documentary Editing Award was presented to Joe Bini for his work on the film ROMAN POLANSKI: WANTED AND DESIRED. The documentary examines the public scandal and private tragedy which led to legendary director Roman Polanski's sudden flight from the United States.
The World Cinema Documentary Editing Award was presented to Irena Dol for her work on THE ART STAR AND THE SUDANESE TWINS/New Zealand. The film profiles artist Vanessa Beecroft and how her obsession to adopt Sudanese twin orphans drives her marriage to a breaking point and fuels her controversial art.
The Excellence in Cinematography Awards honor exceptional cinematography in both dramatic and documentary categories. This year's recipients are:
The Excellence in Cinematography Award: Documentary was presented to Phillip Hunt and Steven Sebring for their work on the film PATTI SMITH: DREAM OF LIFE, an intimate portrait of the poet, painter, musician and singer that mirrors the essence of the artist herself.
The Excellence in Cinematography Award: Dramatic was presented to Lol Crawley for BALLAST. a riveting, lyrical portrait of an emotionally frayed family whose lives are torn asunder by a tragic act in a small Mississippi Delta town.
The World Cinema Cinematography Award: Documentary was presented to al Massad for his work on RECYCLE /Jordan. A Jordanian family man living in the hometown of Muslim leader Abu Musa Al Zarqawi struggles to support his family and define his identity in a tense political climate.
The World Cinema Cinematography Award: Dramatic was presented to Askild Vik Edvardsen for KING OF PING PONG (PING PONGKINGEN)/ Sweden. An ostracized and bullied teenager who excels only in ping pong descends into an acrimonious struggle with his younger, more popular brother when the truth about their family history and their father surfaces over the course of their spring break.
A World Cinema Special Jury Prize: Dramatic was presented to Ernesto Contreras, director of BLUE EYELIDS (PÁRPADOS AZULES)/ Mexico. When Marina wins a beach getaway trip for two, her desperate search for someone to take with her leads to a complicated relationship and the revelation that she might be better off on her own.
A Special Jury Prize: Documentary was presented to Lisa F. Jackson, director of GREATEST SILENCE: RAPE IN THE CONGO, for her piercing, intimate look into the struggle of the lives of rape survivors.
A Special Jury Prize: Dramatic, The Spirit of Independence was presented to director Chusy Haney-Jardine for ANYWHERE, USA, a wildly original look at American manners, prejudices, and family dynamics.
A Special Jury Prize: Dramatic, Work by an Ensemble Cast was presented to the cast of CHOKE. An adaptation of Chuck Palahniuk’s novel, CHOKE is the sardonic story about mother and son relationship, fear of aging, sexual addiction, and the dark side of historical theme parks. Cast: Sam Rockwell, Anjelica Huston, Kelly MacDonald, Brad Henke.
The 2008 Jury Prize in Short Filmmaking was awarded to two films: MY OLYMPIC SUMMER, directed by Daniel Robin, and SIKUMI (On the Ice), directed by Andrew Okpeaha MacLean. The jury also presented the International Jury Prize in International Short Filmmaking to SOFT, directed by Simon Ellis. Honorable Mentions in Short Filmmaking were presented to: AQUARIUM, directed by Rob Meyer; AUGUST 15th, directed by Xuan Jiang; LA CORONA (THE CROWN), directed by Amanda Micheli and Isabel Vega; OIRAN LYRICS, directed by Ryosuke Ogawa; SPIDER, directed by Nash Edgerton; SUSPENSION, directed by Nicolas Provost, and W. , directed by The Vikings. The 2008 Sundance Film Festival Short Film Awards were presented by Adobe Systems Incorporated.
SLEEP DEALER, directed by Alex Rivera, is the recipient of this year’s Alfred P. Sloan Prize. The Prize, which carries a $20,000 cash award to the filmmaker provided by the Alfred P. Sloan Foundation, is presented to an outstanding feature film focusing on science or technology as a theme, or depicting a scientist, engineer or mathematician as a major character.
SOURCE: ComingSoon.net
Friday, January 25, 2008
Heath Ledger Already Being Replaced???

Thursday, January 24, 2008
Happy Thursday

Wednesday, January 23, 2008
Old News and New News

Tuesday, January 22, 2008
Heath Ledger Is Gone...

Monday, January 21, 2008
Happy MLK Day!

And The Razzie Award "The Biggest Skank In Hollywood" Goes To: Reuters
WGA West Coast Branch Meets Tomorrow To Discuss Strike: Wall Street Journal
It's official. There will be a sequel to Cloverfield: M&C
New York never looked so good in Utah: New York Times
CBS decides to trash 20 projects in development becuz of strike..OUCH!: Reuters
Thursday, January 17, 2008
Tarantino Goes After New Pussy

Quentin Tarantino who is by far the best filmmaker EVER is going to remake 60's soft-porn cult classic "Faster Pussycat! Kill! Kill!".
Since GrindHouse, Tarantino is very interested in making campy-sexy horror thrillers. The original film was about three thrill-seeking strippers who come upon a couple in the desert. Killing the boyfriend, they take the girl hostage and hide out on a secluded ranch owned by a wheelchair-bound redneck farmer and his two dim-witted sons. Trying to locate the man's hidden fortune, they seduce the sons to learn of the secret - soon all hell breaks loose.
Tarantino wants his version to be even raunchier. That's why we love him---and only for that reason. His choices in casting is lackluster we must say. His first choices are Kim Kardashian, Eva Mendes and none other than Britney Spears for the roles. YUCK!!!
Here's what NYIndieSeen would pick as the Pussy leads:

Jennifer Beals---she certainly knows ALL about being a Pussycat these days!

Angelina Jolie---I know I know...so typical. But why the hell the not? I would love to see her in a Tarantino flick.

Aishwarya Rai--- What about the hot Bollywood chic? Time for her to do more A-list crossover American flicks.

Christina Milian---I don't like her acting per se...but I'm curious to see how she would do in a soft core porno.

Stacey Dash--Where did she go? Has anyone seen her? Let's bring her back to the big screen!
Check out the movie trailer to the original version here:
Monday, December 17, 2007
Will This Stike Affect Indie Filmmakers?

By TRAVIS PANTIN
As New York City's film industry suffers from the shocks of the writers' strike, even bigger storms may be looming: In July, the Screen Actors Guild and the Directors Guild of America are expected to lead strikes of their own, which would immediately halt all filmmaking and could threaten the survival of scores of New York's independent film companies.
In preparation for a possible SAG and DGA strike, many Los Angeles-based studios have been rushing to get their filming done before July. That increase in demand has allowed actors to raise their fees, making those who run the less wealthy New York indie film companies worry that they might have to halt production until actors become more affordable.
"We are not the sort of companies with very deep pockets that would be able to sustain ourselves through a very long cessation of work," a co-owner of New York-based indie film company Belladonna Productions, Linda Moran, said. "Some companies might have to shut down."
About a third of all independent films are produced in New York City at 145 studios and stages, according to a 2005 report by the Governors Island Preservation and Education Corp. The Mayor's Office of Film, Theatre, and Broadcasting calculates that the film industry as a whole employs 100,000 New Yorkers.
"Even the big actors at some point want to make a decent indie film, and normally they do it for very little money," the producer for New York-based Vox3 Films, Andrew Fierberg, said. Right now, though, actors are trying to grab as many of the higher paying jobs as possible, in order to put some extra cash in the bank in case a strike keeps them from working. "Lower-budget films, even the really good ones, become less of a priority in that kind of crunch," according to a producer for Open City Films in New York, Jason Kliot. "It's harder for us to get the agents' and the actors' attention when they're thinking about these basic livelihood issues."
Sunday, August 26, 2007
Whas Happenin Man??

Win a free screening to see Rob Zombie's new flick: New York Daily News
Ang Lee's new film Lust Caution gets an NC-17 rating..NICE: L.A. Times
Leonardo DiCaprio predicts the Apocalypse. Seriously: M&C
High School Musical part 2?? Did anyone see the first one??: CBS News
Jodie Foster now in a renegade revenge-driven action flick?? Whoda thunk it?: Cinema Blend
Monday, June 25, 2007
Sup

Saturday, June 23, 2007
You NEW We NEW we All NEW for NEWS NEWS!
